Remember: the best way to avoid falling back into old habits is by providing your reader with new material. Whether you are writing on a topic you know inside and out or one you have little to no experience with, the following tips are meant to help you write an essay that is both well-written and interesting.

TRY THESE 30 TOPICS ON FOR WRITING A FRESH AND INTERESTING ESSAY:

1. INSIGHTS INTO A TOPIC YOU KNOW VERY LITTLE ABOUT

It may seem counterintuitive to write about something you are not overly familiar with. After all, it would be much easier to just go with what you know, wouldn’t it? However, by choosing a fresh topic, you will make your essay stand out from the crowd and show that you have more than a passing knowledge of the subject. Perhaps the best way to find something new is to explore different perspectives on an existing theme or question.

2. THE EVOLUTION OF A TOPIC THAT YOU KNOW ABOUT

Oftentimes, when we learn about a topic, it will be expounded upon from multiple sources. In such a case, the essayist may find it appropriate to create their own perspective on the persona or event. For example, the consequences of alcohol abuse have been explored in countless films over time. However, by writing an essay that examines how this problem has changed over time in relation to other social issues, you show how significant changes to a particular theme result in varied effects.

3. A COMPARISON BETWEEN TWO OR MORE TOPICS YOU KNOW WELL

An essay that examines a topic in relation to something similar is always worth reading. Why? Because we can all use a few fresh ways to view things. Therefore, if you are writing about the subject of the American Civil Rights Movement and how it relates to current events, your essay will not only stand out for its unique perspective but for its further insight into an important event in history.

4. A COMPARISON BETWEEN TWO OR MORE TOPICS THAT YOU KNOW LITTLE ABOUT

What can’t you learn about the world around you if you set your mind to it? If you’ve never had the chance to write about a topic, why not have a go at two or more that are completely different? For example, if you are writing on the topic of “melancholic love”, examining how it relates to both “happiness” and “love” will help show how each of them influences our emotions and thoughts.

5. A HISTORICAL VIEW OF A TOPIC FROM THE PERSPECTIVE OF THE PRESENT

Yes, history does exist and it is important. However, by showing how the past has influenced us in our current lives, you show that your reading about a topic is worthwhile. If you are writing on “the history of homosexuality”, for example, examining how homosexuality has developed and changed throughout history from a contemporary perspective will demonstrate your understanding of the subject.

6. A LOOK AT A LONG-STANDING TRADITION OR BELIEF

Another way to create your own perspective on a topic is to use writing to explore the history of a long-standing tradition. Topics such as “the family” can be discussed from the perspective of the past, present, and future and are sure to be interesting for any reader. In addition, by exploring how an idea or concept has changed over time through many people’s opinions, you demonstrate how ideas evolve with time.

CONCLUSION

If you are writing on a topic that you know very little about, it is important to find out all that you can about the subject. For example, if you write about the history of homosexuality in India, you should research more about the culture and religion to demonstrate your knowledge. If your essay does not seem to make any progress, consider changing topics. Maybe an essay examining the history of marriage in New York City will be more interesting than one on a famous romance novel.

We hope this information was helpful. Thank you for reading.

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Let’s dig a little deeper into the difference between theater and cinema, and understand why theatrical art for so many years has not yielded its position to cinema. As the saying goes, theater begins with a hanger, and cinema… with popcorn.

1. ACTION IN THE PRESENT MOMENT
   When you sit in a theater and watch the actors play, you can see every movement, hear every rustle on the stage. You can feel the emotions the actors are trying to convey to their audience, experience the goosebumps that run down your skin when the characters cry or laugh, catch the slightest change in their mood and voice. Movies are another matter! You’re just an outside observer of what’s happening on the screen. It lacks the most important thing that is in the theater, which is a living game.
2. DECORATIONS
   Modern cinema is a mixture of acting and special effects. You want a disaster movie – with the help of computer graphics you can paint yourself any natural disasters. In the theater the entire entourage is created with special decorations, which immerse you in the atmosphere and create an attendant effect. This is great!
3. SOLEMN ATMOSPHERE
   Before going to the theater, we are in anticipation of some kind of celebration. It really is something special when at intermission between acts in the foyer stroll ladies in beautiful dresses on the arm with the gentlemen in fancy suits. Magnificent indeed!
4. IMPROVISATION
   Each theatrical production is unique and unrepeatable. The same dialogues in the same scenes may be said by actors in completely different ways – with a different intonation, with a different emotional mood. And this conveys a completely new feeling about the performance. Whereas you can watch the same movie dozens of times and find nothing new in it.
5. ACTORS’ PLAY.
   If you compare the game of the same actor in the movie and in the play, you can see a huge difference, as if on stage – one person, and on the screen is completely different. Not without reason in theater and aesthetic education acting courses play an important role in the creative development and revelation of the actor’s potential. That is why the theatrical productions are always more emotions, more expression! And only one take.
6. SENSE OF COMMUNITY
   In theater, all the emotions of the characters on stage are transmitted to the audience, and the audience, like a receiving antenna, tunes in to that wave. Where one laughs, the whole audience laughs; where there is a sad moment, the whole audience wipes away the tears.
7. DIVERSITY
   Of course cinematography can also be different. But the repertoire in the theater is something incredible! Puppet theater, opera, installations without words or music, and a huge assortment of genres! Everyone will find something to their liking!

The post Theater or Cinema? appeared first on Reviewsbyjudith.

The funny thing here is that the author of the articles, who started writing about Batman in the movies on the wave of popularity of the new film adaptation, never understood how he should feel about the latest film. On the one hand, it is well filmed, the actors are great and there is some attempt to analyze modern problems, but it seems as if Matt Reeves has nothing to offer. He has a great skill, but it’s as if he lacks that creative thinking. he lacks the creative thinking that Burton and Nolan had. It’s as if the only job Reeves had was to bring the best Batman comics to the big screen with a very controversial attempt to adapt them to modern realities. Considering the bungled ending, (albeit not as much as in The Dark Knight 2: Legend Reborn or Batman v Superman: Dawn of Justice), it’s hard to say if there’s any chance of developing this separate universe. There are precedents, of course. Colin Farrell made a great Penguin, and a spin-off about him would be nice to see. Paul Dano is not a breakout, but a curious villain. Zoe Kravitz has presented an odd image, but she may have a future, too. Perhaps the recently announced sequel will correct a number of the creators’ mistakes, but for now the prospects are very dim.

We would like to finish the analysis of Batman in the cinema with an important question. What does the future hold for the character in the movies? If we accept the “looping” theories, then we are again waiting for the cult Batman movie, its less successful sequel, one more attempt to go mainstream, followed by a failure, as a result of which Batman will be restarted again. Whether this is really the case, or whether the author of the article is just imagining things for himself, time will tell. One thing is for sure, movie comics may cease to be popular. Heroes like Wonder Woman, Thor, Deadpool and many others are sure to become relics of the past or become part of the nostalgia for old-timers. But Batman… Batman will be immortal even after the genre burns out. Why? Because he was popular even before his heyday. This hero is too monumental to permanently disappear from the movie radar, so we’ll see him on the big screens more than once. Whether the adaptation is bad or good, it will always be hotly debated by all movie buffs.

The post Batman (2022) appeared first on Reviewsbyjudith.

1. “Hamlet” and “Romeo and Juliet” by W. Shakespeare.
   These two works are imperishable. “Romeo and Juliet” has been staged since 1599. Even the classical playwrights perceived the characters in different ways: some saw them as unhappy victims of the system, others – young people who paid for their passions and disobedience to their parents. It is “Romeo and Juliet” that production companies love the most. “Hamlet” is considered the pinnacle of theatrical art, so it is dreamed of being played by almost all dramatic actors. Today, producers gravitate toward “modernizing” these plays.
2. “Tartuffe” J-B. Moliere
   Another classic of drama is Jean-Baptiste Moliere. The comedy “Tartuffe” is presented almost in all theaters around the world. In Russia, it is performed at the Chekhov Moscow Art Theater, Lenkom, the Theater on Taganka, the Baltic House in St. Petersburg and many other theaters. An interesting fact is that it is this comedy that they do not try to “modernize”, while others are eager to remake. They prefer to leave the classics in the 17th century.
3. “Cyrano de Bergerac” by Edmund Rostand
   This heroic tragicomedy in verse has been staged at such theaters as Port St. Maarten, Comédie Française, Old Vic, and the Sarah Bernhardt Theater.

Tadashi Suzuki has staged one of the modern interpretations of the play Cyrano de Bergerac. His main character appears to us as a real samurai, and Roxanne French. So the play is often reduced to the eternal theme of the relationship between east and west.

4. Chekhov’s “The Seagull.”
   Chekhov’s Russian work is also on the list of world plays. It has been staged with pleasure in many theaters around the world since the beginning of the 20th century: theaters in Japan, Korea, France, Germany, and England. Our Chekhov is often staged by foreign directors as well. For example, Christian Lupa, a classic of Polish theater, the world-famous avant-gardist staged The Seagull at the Alexandrinsky Theater. Disregarding the desire to transpose a classic story to modern conditions, Lupa went further and sent Chekhov’s characters into the future, into the world after the industrial catastrophe.

The list could go on, but the most popular productions are the classics.

The post The world’s most popular plays appeared first on Reviewsbyjudith.

Most expensive stage production
The stage version of Disney’s The Lion King, which premiered on Broadway in November 1997, was the most expensive theatrical production ever. Its budget was $15 million.

Biggest theatrical receipts
Andrew Lloyd Webber’s musical The Phantom of the Opera has played in 18 countries and grossed $3.2 billion since its October 9, 1986 premiere at the Theatre Royal (London, UK). The second highest-grossing theater performance is the same Lloyd Webber musical, Cats, which grossed $2 billion.

Longest stage life
Agatha Christie’s play “The Mousetrap” premiered on November 25, 1952. By April 23, 2001, it had been performed 126 times at the St. Martin’s Theatre (London, UK). In 49 years it grossed $33.3 million at the box office and was seen by about 10 million viewers.

The greatest number of Tony Awards.
Harold Prince (USA) has won 20 Tony Awards in 40 years. This award is named after the theater actress Antoinette Perry and is one of the most prestigious in the theater world. The full name of the award is the Antoinette Perry Award for Excellence in Theatre.

Biggest performance insurance
The musical Barnum, which premiered at London’s Palladium on June 11, 1981, was insured for the largest sum of money in the theater’s history. It totaled $9,867,000 at the rate of those days, of which actor Michael Crawford was insured for $3 million. During the performance, he was walking on a wire and rappelling down to the stage from the topmost box.

Musical Champion
The off-Broadway musical The Fantasticks by Americans Tom Jones and Harvey Schmidt premiered on May 3, 1960. By 2000 the number of its performances at the Sullivan Street Playhouse (New York, USA) had reached a record 16,562.

The highest number of tap dancers was.
On August 17, 1997, outside the Macy’s department store in New York City, 6,776 people tap-danced to the beat of “Puttin’ On The Ritz” for two minutes. The stage for this event was 34th Street. Participants ranged in age from 1 to 91.

Grandest Failure.
On May 17, 1988, the musical “Carrie,” produced by the Royal Shakespeare Company and costing $7 million, was withdrawn after 5 performances on Broadway (New York, USA). “King,” a musical about Martin Luther King, lost $5,128,200 in the 6 weeks of performances that ended on June 2, 1990, equaling the record London failure of the 1988 production of “Ziegfeld.”

Longest play.
The longest theatrical production is Neil Oram’s (U.K.) Perversion. The 10-act play premiered at the Institute of Modern Art (London, UK) on January 18-20, 1979. The performance lasted 18 hours and 5 minutes. All that time, with the exception of 5 minutes, actor Russell Denton was on stage.

The fastest theatrical production
The musical “Oklahoma!” directed by Velvet Jacket Limited was performed at the Playhouse Theatre (Edinburgh, UK). Its production took 23 hours and 55 minutes after cast selection and initial familiarity with the text was shown at 8 p.m. on May 6, 2000.

Highest number of actors hovering in the air at the same time
In the show “Period at Home” of the Argentine dance theater “De la garda” there were 33 actors hanging in the air at the same time. In April 1998, 14,000 people watched five performances of this show at a velodrome in Buenos Aires, Argentina.

The most active participant in the creation of the play
In the play Money or Love, staged at the Grand Theatre (Lancaster, UK) in September 2000 by the Lancaster Red Rose Society of Opera and Drama Lovers, Phil Gibson was the original idea writer, composer, librettist, chorus conductor, orchestrator and lead role performer.

Actress winner of the most Tony Awards
Julie Harris (USA) won the first Tony Award in 1952. Now, along with an award for her contributions to the arts, she has five – more than any other actress. Julie Harris also holds the record for the most Tony nominations – 10 in 45 years. She made her Broadway debut in 1945.

Shortest play.
Nobel laureate Samuel Beckett of Ireland, author of one of the most famous plays of postwar theater, “Waiting for Godot,” wrote the world’s shortest play, the 30-second “Breath” (1969).

The most Tony Award-winning plays
The five Tony Award-winning plays are Robert Bolt’s A Man for All Seasons (1962), Edward Albee’s Who’s Afraid of Virginia Woolf (1963), Robert Marasco’s Child’s Play (1971), Peter Schaffer’s Amadeus (1981) and Tom Stoppard’s The Present (1984).

The greatest number of reworkings of the play
The one-act farce “A Day Well Spent,” written by John Oxenford in 1835, is the basis for five plays: Johannes Nestroy’s 1842 “Such a Wimp”, Thornton Wilder’s “Merchant of Yonkers” in 1938, his “Matchmaker” in 1938, Herman and Michael Stewart’s “Hello, Dolly” in 1963 and Tom Stoppard’s “All the Way” in 1981.

Passion for Flying.
Performing a trick called “sunori” in Japan, kabuki theater actor Ichikawa Ennosuke (Japan) flies over the stage and the audience. He has done this in 5,000 performances since April 1968. He made his anniversary flight on April 19, 2000, at 3:03 p.m. at the Shimbashi Ibujo Theater in Tokyo during a performance of Shin Sankokushi. Ennosuke’s character dies and ascends to heaven with his beloved. “Sunori,” performed with blocks and straps, was invented in Edo (present-day Tokyo) in the 17th century and has been used in theater productions for three centuries. Ennosuke resurrected the trick at the Tokyo National Theater for the play “Yoshitsune and the Thousand Cherry Trees” and continued to perform it in various productions for 32 years.

The thickest layer of makeup
“Shatti” is a unique makeup that is used in Indian Kathakali dance theater. It is made of rice paste and paper and reaches 15 cm in thickness.

Around the world
At 7 p.m. Nov. 20, 1999, a children’s performance of “The Rainbow Juggler” began simultaneously in 56 theaters in Great Britain, Ireland, Germany, the United States and Australia. It was attended by 4,568 Stagecoach Theatre Arts students. The action commemorated the 10th anniversary of the Declaration of the Rights of the Child. The proceeds – $78,947 – went to the UNESCO Children’s Fund (UNICEF).

The greatest number of roles played
Ian Layton (USA) holds the first place by the number of roles played in theater, cinema and television. Since 1951 he has played 3,395 different roles. His dressing room has over 200 wigs and hats, about 70 pairs of glasses, 5 Sight-Claus costumes and 36 smoking pipes.

Highest number of appearances on stage in the same role
Between November 1966 and June 1983, actor Kanbi Fujiyama (Japan) played the lead role 10,288 times in the same play by the comedy troupe Soshiku Shikigek.

Highest number of plays by a single author running simultaneously
In 1908 Somerset Maugham set a record in this category. His plays Lady Frederick at the Court Theatre, Mrs. Dot at the Comedy, Jack Straw at the Vaudeville, and The Explorer at the Lyric ran simultaneously in London’s Westend district.

High Chairs.
On October 16, 1999, the Beijing Acrobats (China) built a 6.4-meter high pyramid of 6 people balancing on 7 chairs, the tallest in the world, and held a handstand for 5 seconds. The Beijing Acrobats Troupe was created in 1952 and their art dates back to the Qin Dynasty (225-207 B.C.).

Vietnamese Victory
Alan Babil and Claude-Michel Schonberg’s musical Miss Saigon, produced by Cameron McIntosh (UK), premiered on Broadway in April 1991, setting a box office record for musicals of $36 million, with 44 actors, a 1959 Cadillac and a real helicopter. The musical had its world premiere at London’s Theatre Royal on September 20, 1989. The premiere in Tokyo (Japan) took place in May 1992 and broke all box office records and the number of performances in Japan.

The post Records of the art world. Theatrical productions appeared first on Reviewsbyjudith.

Not even the managers of New York’s Metropolitan Opera, who, in fact, introduced the idea of theatrical film screenings into the minds of modern audiences, have said that.

As is often the case, managers talked more and more about the educational function of the endeavor: people around the world would finally be able to see/hear the best ballets/opera without having to leave their hometown. When, in the late 2000s, the British followed the Americans in theatrical cinematography, they also emphasized the educational aspect of the undertaking: provincials who had never been to the theater would now be able to see the London stage in all its splendor. To make it more convincing, the audience was shown interviews with directors and playwrights during intermissions, and sometimes invited on a virtual tour of the backstage area.

True theatergoers were at first skeptical about the theater on the screen. But over time, even they began to go to theaters to see opera and ballet. Prejudice dissipated, new technology has done its digital work: today few would dispute the fact that watching theater in the cinema is convenient (no one obscures what is happening on stage, no matter what row you are sitting in), inexpensive (tickets cost an average of 600 rubles) and fashionable. As a result, the auditoriums of some theatrical screenings turn out to be fuller than the actual theater auditoriums, and the information that the play “ran on the big screen” makes it a box office for many years to come.

But are movie distributors ready to show every play on the screen? If you look at the consolidated poster of Russia’s leading film distributor, CoolConnections, it turns out that the lion’s share of the repertoire is direct and indirect broadcasts from the Metropolitan Opera and the Bolshoi Theater, as well as recordings of productions by two English theaters: the Shakespeare Globe and the Royal National Theater. And if a couple of years ago in Russian cinemas you could see about twenty or thirty British premieres per season, then in 2016 their list if not reduced to one “Hamlet” with a popular favorite Benedict Cumberbatch, then noticeably narrowed. Although TheatreHD now shows French classics from the Comédie Française in addition to English hits, it doesn’t change the situation significantly.

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